"Cloak' exhibition at the Wallace Gallery, Morrinsville 
Last Saturday was the opening of the 'Cloak' Exhibition at the Wallace Gallery in Morrinsville. We had a great crowd there and Justin Morgan the director told me today that over 200 people went through the gallery on Saturday. That was pretty awesome, and as usual the exhibition has attracted a lot of interest.

There were eight Professional Weavers at the opening, some coming from Auckland, Bay of Plenty and Opotiki. In the photo from left are, Alison Francis, Ann Boniface in front with the catalogue and Roka Cameron behind her, Janie Gummer,Dianne Dudfield, me in front with Carol Oldfiel behind and Nynke Piebenga next to Carol. It was great that so many of the weavers could attend.

The Opening of 'Cloak - Variations on a Theme' at Arts in Oxford 

Here are some images of the opening of the exhibition at Arts in Oxford. It was so good and a big surprise to see Betty Booth and her husband Graham at the opening. Betty is chatting to Ria, one of the Christchurch Guild members.

Valerie and Haywood Osborn

Cloak - Variations on a Theme 
Here are some images of the Professional Weavers Network exhibition 'Cloak - Variations on a Theme'

At the moment this exhibition is on show at Arts in Oxford, a non profit gallery in the small Canterbury town of Oxford, New Zealand. This gallery has a superb light and airy space in which to show our work to great advantage.

This photograph shows the back view of Sue Broad's small cloaks 'The Cloakroom of Dreams and Enchantments' with Christine Keller's colourful dyed cloaks to the left, Mary Anderson's 'Crusader' on the wall, Alison Francis's wearable cloak 'Urewera', and Marilyn's tapestry 'Extinction is Forever'

Nynke Piebenga's small cloaks 'Progress or Destruction'

Roka Hurihira Cameron's cloaks 'Kupenga' left, 'Manono' middle and 'Whero' right, made a strong statement at the entrance to the exhibition. I was so pleased that I made the decision to put these wonderful works here.

A view of the exhibition as you come in the right entrance with Agnes Hauptli's circular hanging 'Family' in front.

This image shows Dianne Dudfields small hangings, 'Takehe' and 'Tui' on the back wall with Jo Reeve's wearable cloak 'Cloaked in Shadow' in front of them.

Another view from behind Sue's cloaks showing Helen Oliver's small tapestries 'Poems for Cloaks' to the right of Marilyn's tapestry.

Elizabeth Arnold's wonderful tapestry 'Cloak of Conflict' on the wall behind Jill Bryant's wearable 'Halifax Cloak', and Rose Pelvin's small wearable cloak 'Snowmelt'.

Rose's large wearable cloak 'A Thing of Shreds and Patches' and Dianne Dudfield's 'Enchanted Forest'.

This is the view of the exhibition from the left entrance with Trish Armour's dragon tapestry 'Jormungandr - Viking Ceremonial Cloak' in front and Wilson's 'Alb and Stole' in the background.

Another view of the left side of the gallery with Maryann Stamford's 'Nature's Deception' pieces on the left. Janie Gummer's 'Mourning Cloak' next to Wilson's at the back. I don't seem to have many photos of this wall but I think they might be on Wilson's computer, so I will get him to send them to me soon and will post them on this blog once I have them.

Sue Broad has sent me some images of the left wall, and this photo shows from left Peg Moorhouses cloak hanging, 'Festive Nepal Cloak' Maryann Stamfords, Nature's Deception' and 'To Keep Under Wraps' based on the case moth, Marilyn's 'Elements' on the plinth and Agnes Hauptli's 'Hine Nui te Po' Goddess of the Night' her beautiful jacquard weaving.

Anne Boniface's two small cloaks 'Changing Moods' on the plinth in the foreground.

And here we have a close-up of Rose Pelvin's beautiful cloak 'A Thing of Shreds and Patches' with Wilson Henderson's 'Alb and Stole' in the background.

Here we have the left wall with Agnes's jacquard weaving, Ann Boniface's two small cloaks and Wilson's Alb and Stole with Janie's Mourning cloak. A better picture of these works.

A closer view of these works. Robyn Parker's diptych 'Nature's Cloak' is on the wall beside Wilson's Alb and Stole.

This photo shows Peg Moorhouse's lovely white silk hanging 'Fairy Silk Cloak'. Peg is our oldest member at the age of 99years and wove this cloak form last year for this exhibition.

My tapestry has won an Award 
It was announced on Friday last week that I was announced the winner of this year's Kate Derum Award for small Tapestries. The Kate Derum Award is open to Australian and International artist at any stage in their career, for handwoven tapestries with a maximum size of 30x30cm. My tapestry 'Doll' was selected from a short list of 41 original works including Australian artists Chris Cochius and Cheryl Thornton, who both received high commendations from the judges. The only other New Zealand entrant Sue Weir was also highly commended for her tapestry 'Amongst the Folds, 2013'

Awarded every two years, the Award continues to capture the attention of some of the world's most accomplished tapestry artists. This year 75 entries were received from 12 countries: United Kingdom, France, Latvia, Canada, Argentina, Hungary, Denmark, Mexico, India, United States, New Zealand and Australlia. The judging panel comprised former Head of School, school of Art, Architecture and Design, Universithy of SA, Professor Kay Lawrence AM: founding Director of Chrischurch Art Gallery, Mr Tony Preston: and Head of Textiles, Australian National University, Ms Valerie Kirk.

The judges were excited to have the challenge in selecting a winner from the calibre of internationally acclaimed textile artists. In selecting Marilyn's work as the winner, the judges were impressed by the tapestry's pprofound visual impact and extraordinary technical artistry with an astonishing palette creating a tension between the precise andmeasured process of tapestry weaving and the immediacy of modern day digital imaging. 'The doll is often associated with the safety and comfort of childhood, but the intense colour relationships in Marilyn's tapestry also provoke a sense of unease' says Valerie Kirk.

Generously supported by Susan Morgan and the Tapestry Foundation of Australia, the Kate Derum Award was created in honour of the former Deputy Director of the Australian Tapestry Workshop who passed away in 2008. The Award celebrates Kate as an accomplished artist, respected teacher, avid supporter of the Australian Tapestry Workshop and ambassador for Australian tapestry. She was a wonderful role model and leader, and influenced the lives of many young artists'

I have been painting every day for the last few weeks as there is nothing on my looms at the moment, apart from a small work on a frame. I am waiting for warp threads to arrive from Glenora in Australia before I can put a new work on the loom. Anyhow, here are images of the latest series of paintings. This series features Life in Our Country and is a continuation of the tapestries that were woven on this them a few years ago, only this time they are acrylic on canvas.

The first image shows the work in progress and the second image is the completed work.

Painting again 
Today I went back into my painting room for the first time in quite a few weeks. My painting room is at the back of the house in a sleep out space and alongside a storage space. It is a lovely wee room and I feel very comfortable in there. I have started work today on a new painting. I am not sure how successful this one will be but will keep going with it. I finished the drawing late this afternoon and have started to put the undercoat layer on the canvas.

This painting is the first in a new series of work that stem from the City Life series of tapestries. I haven't painted in this style before so have yet to see if it works.

My flight home to Hamilton 
Yesterday I flew home to Hamilton. I do not like aeroplanes - do not feel comfortable in them at all and get really quite nervous whenever I have to fly. I do make myself go, even though it would be much easier just to stay at home.

I have found a way to make the time on the plane go faster. I take my sketchbook with me and have something organised to draw whilst in the air. It does help to take my mind off the fact that I am sitting in this very closed in steel cylinder that is moving through the air and that I can't get out of until it is back down on the ground.

Anyhow, here is the pen and ink drawing that I almost completed in the one hour and forty miniutes that it takes to get from Christchurch to Hamilton. The sketch is of an old tree that is clinging to the cliffs and managing to survive quite well even though most of its roots are showing.

Veronica and her tapestry. 

This is my little sister Veronica posing by the tapestry of her that I wove many years ago. This tapestry has been hanging in our Mum's studio unit at Ngaio Marsh Village in Christchurch for many years. Recently however, Mum was shifted into a single room as she needs much more individual care now, so the tapestry is now hanging in Veronica's home. I was pleased to give it to her the keep and hand down through her own family.

Veronica was born two days before my 27th birthday and four weeks after my son Michael's birth. She is younger than four of my children and is a good aunty to them all.....haha!

Mum's 90th birthday 
Today was our Mum's 90th birthday and we had a lovely family gathering at the Retirement Village. All of her children were there, and some of the grandchildren.

Sketch for the Family History 
My sister Yvonne Rea has been researcing the Rea family History for many years and I am now helping her to put her writings into book form on my computer ready for printing. Yvonne has glaucoma and is fairly close to losing her sight altogether, so this project has been a major one for her and it is so good that it is nearing completion at last.

I have been drawing the odd sketch for to illustrate the book and here is one of our great grandfather's and great grandmother's grave on the top of the cemetery hill at Ross on the West Coast of the South Island. This sketch is drawn in pencil with a watercoloour wash.