Here is another try to get this photograph posted.
Wow! It worked this time. Hurray!
'Cityscape' is finally off the loom! I cut it off two days ago and am now working on the finishings, which do seem to take an awful long time.
Don't I look pleased to be doing this? I was too, actually!!! It is a very good feeling to have a tapestry completed after months of working away on it. The last few inches always seem to take the longest to weave, as that is when you are focussing on finishing the work. Up until then, finishing is not an issue, it is just working away, building the shapes, thinking about colours etc etc. And enjoying the process! I think it is the process that keeps us going as weavers. I get so many people in the studio who say that I must have 'patience'. I do hate that word! It is a particular 'mindset' though to be able to sit in front of a loom for months weaving one work. You have to be quite happy about taking time to do something. In this day and age of 'instant gratification' I feel that weaving tapestry is a political statement, an objection to the way everything in this world must be done in a hurry. In fact I think that a lot of people actually do not experience their lives properly- everything is too fast. It sometimes seems like the experience is almost over before it happens and then on to the next thing. Anyhow that's my philosphical statement for today, for what it is worth!
Here is a photograph of the tapestry completed. Not the best photograph in the world as I laid the tapesty down on the floor, got the ladder and stood as high above it as I could, but did not feel secure enough on the ladder to get right above the tapestry. So it looks as if it is receding at the top. It isn't though, I am quite pleased with how straight it is. There is a difference of about half a centimetre or so at the top end, which I think is allowable.
Whoops! Wrong photo! I still haven't worked out how to delete a photograph once it is in. Will try again!
I have recently made contact with Donna and Neil Hitchcox who live near Timaru. Donna is a tapestry weaver but she also weaves fine scarves, shawls etc.using the best mohair, and alpaca yarns that they produce on their property. They have set up a new business selling their lovely products and their website is certainly worth a look. I have just put a link to their site on this blog so do check it out.
Today is the day when I will complete 'Cityscape' and I am looking forward to seeing the whole tapestry when I cut it from the loom. There will be at least a week's work in the finishings which will keep me busy for a little while yet. I will trim the threads at the back, darn in any that are near the edges, then will turn up the headings and sew velcro to the top edge. The velcro is also glued and stapled to a wooden baton so that the tapestry can hang evenly on the wall. I will post some photographs of this process as it goes along.
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The progress on 'Cityscape' is going well. I have about another week's work to do and it should be finished. So all good. The colours are working well too and I am looking forward to seeing the whole work when it comes off the loom. Here is an image of the tapestry as it was two days ago.
I had a small visitor the other day who was really intrigues with the weaving process and was very happy to help me beat down the weft. He asked me if he would be 'famous' because he was helping me, so I asked his mum to take a photo of the two of us together and here it is. This is Andrew from Canada and now you are 'famous' Andrew, because a lot of people visit my site and they will see you too!
The last few days since I got back from my holiday have been very busy. A number of visitors, mostly tourists but also one or two friends and people I know. A few days ago Serena and I had a visit from Bev Furness from Auckland. Bev spent a week in my studio about three years ago learning to weave tapestry so it was lovely to see her again.
Yesterday my friend Gwen brought her grandaughter Hayley into the studio so that Hayley could have the tapestry experience. Hayley proved an apt pupil. She loves working with her hands and also draws well. I asked her to make a small design with coloured paper shapes and then we warped up a small frame and she was weaving in no time.
Also yesterday I had a surprise visit from Kate Derrum and her husband. Kate is an Australian Tapestry Weaver who does beautiful work. She was acting director of the Victorian Tapestry Workshop for some time, and I met her when I visited the VTW two years ago. Kate has lectured to tapestry weavers here in New Zealand and she tells me that she is no longer at the workhshop but is now concentrating on her own work. It was a big buzz to have her visit my studio and we spent a lovely hour together. One of the very good things about having a studio in the Arts Centre is that many people just turn up out of the blue to visit and as a consequence of this I have met many interesting artists and tapestry people over the years.
Well, here I am, back to work after a lovely time over in Westport. Brian and I spent a few days wandering around the Buller District. We went to Karamea and walked to Scott's beach which is an hour up the Heaphy Track. Walking through the native bush is just awesome, very good for the soul. I took a lot of photographs, details of bush ferns and mosses, larger images of nikau palms, cabbage trees and of course the rata, which was blooming in abundance all over the Coast. Beautiful red in the bush. The rata is an interesting tree, as it is sometimes a parasite, setting its seed in the branches of a rimu or kahikatea and overtaking that tree, and sometimes it is a tree in its own right if the seed falls and germinates in the ground. Beautiful to see at this time of the year.
We stopped at Ngakawau and walked out on to the beach there and I took photographs of the remains of my Aunty's house which had been washed away by the tide a few years ago. Just a few slabs of concrete overgrown with coastal plants, remain. Made an interesting photograph.
On the Tuesday of last week we went up on to the Denniston Plateau above Waimangaroa and spent two or three hours wandering around up there, again taking photographs and enjoying the view towards Westport. I remember playing basketball at the school in Denniston when I was about 11 years old. Only two houses up there have people in them now, but I stood on the edge of the incline and photographed that. My brother-in-law Bruce Roberts was one of the people who dismantled the Denniston Incline a few years ago. Just being up there makes you think about the hard lives of the people who lived up on Denniston, trying to make a living from the mining of coal. It must have been terribly hard on the women. I bought a copy recently of the lovely book 'The Illustrated Denniston Rose' by Jenny Pattrick. There are many of the old Denniston photographs in that book, so for anyone interested in old places it is a 'must buy'. Certainly was for me. She captured the essence of what it must have been like to live on Denniston in the late 1800's and in the early part of the twentieth century when it was in its heyday.
I am back now working away on 'Cityscape' as I want to have it finished before the end of February. It is going well, and with a bit of luck with be finished before then.
I am going to be going away for nearly a week - over to Westport to my nephew's wedding and staying on for a few days. I was born and bred in Westport and some of my siblings still live there. I have not been home for over two years now, so it will be good to spend some time there.
I thought it would be a good idea to post the latest image of 'Cityscape' so here it is!
This image shows the detail of the figures in the shop window and they can be clearly seen if you tip your head a little to the side.
I have also been working on a small portrait of my accountant Bruce Finnerty. This tapestry has been commissioned by Bruce and is being woven on a small frame which I have it set up at home now, so I am working on it in the evenings. Two images show the work in progress.
I enjoy weaving these small portraits and have been commissioned to weave three or four now. If anyone is interested in commissioning a portrait tapestry of yourself or your family etc, a tapestry this size which is approximately 20 x 20cm would cost somewhere between $850 to $1200 New Zealand dollars. A photograph could be easily sent to me by e-mail from this blog. I would then create a design concept from your photograph and send that on to you for approval. I would allow four to five weeks to weave a tapestry this size and it would not cost a lot to send anywhere overseas.
Tapestries are unique and unusual art works to own, are a good conversation point in your home and can be woven to any size.
Now I am off to Westport tomorrow morning, and will post another blog page when I return home.
I have been working quite steadily on the tapestry 'Cityscape' and am pleased with its progress. It has to be completed by the end of February at the latest as it will be sent to the Norsewear Awards in March.
The colours in this tapestry are working well. I am mixing the colours on the bobbins only and there are many many different shades of green in this work. It is quite amazing how one new thread in the bundle completely changes the colour. In this work I am also fascinated by how the images have been simplified and abstracted yet are still recognizable as figures. I am working at the moment on the models in the shop window. It is difficult to see them as the tapestry is being woven on its side, but they are definitely forming as I weave.
The first photos is a detail of the central portion of the tapestry, and the second photo shows the second figure forming as the tapestry grows. You can see the figures quite clearly on the cartoon at the back. There are a lot of slits in this tapestry as I am outlining almost every shape in either black or a related colour. I am sewing up the slits as the work progresses as it would be an awful job to sew them up after the tapestry comes off the loom. Also by sewing them up as I go, it helps to keep the tapestry stable and strong and prevents any buckling that might occur otherwise.
Looking at my blog page this morning I realise that it is past time for me to add a new entry. Happy New Year to all my readers whoever you may be! I have had quite a lovely laid back time over the Christmas and New Year period with a few days out of the studio. Yesterday my friend Brian and I went out to the Rail Trail near Little River fand walked along it for about two hours, thoroughly enjoying the bird life, the fresh air (and it was fresh, so we were fairly warmly wrapped up) and taking a lot of photographs. A very nice way to celebrate the start of a new year.
The week before Christmas saw the opening of the Members Exhibition 'Gates and Journeys' at CoCA. I have a work accepted for this exhibtion and here is a photo of that work and some of the others around it.
My piece is a series of photographs of my Dad,Alan Rea, portraying his journey through life. He died in 1998 and these photographs show some of his life experiences from when he was a young man until a few days before he died. The images were taken from old photographs which I scanned and enhanced on my computer. Some of them were cut up and collaged, and then the nine pieces are displayed together as one work. Here is a close up view.
The sculpture in the first image was created by one of our Eklektika people, Erica d'Stewart and is a lovely wee work. This exhibition is on show at CoCA for another two weeks I think, and is certainly worth a visit.
The three textile artists in the Artists Quarter, Sue Spigel, Serena McWilliam and myself have displayed our small brooches, pendants and bracelets in a mini exhibition of these miniature textiles. We have all worked pretty hard over the last few weeks preparing the work for this display and are pleased with the result. It is surprising how long it takes to create the small works as they can be very fiddly to make. However the end result is worth the effort
The small textiles are all on the middle shelf with my tapestry pendants hanging from the yarn cones, Serena's bracelets and brooches on the white cards and Sue's on the black cards. The small sculptures on the top shelf were created by Mike and Wendy Sargent who work in stone, wood and glass. The bottom shelf has paintings and drawings by Anna Schoolderman, Maxine Burney and Mehrdad Tahan. Mehrdad has his studio on the top floor of the Chemistry Building and Maxine and Anna both work in the Artists Quarter with us.